Yeah, nowadays I just don't feel the urge to update my journal anymore, but tonight's an exception though.
The past few months have been busy but good, fair share of performances and teaching (especially this month of December where I get to see my students both in the morning and afternoon) and that short getaway back to the wonderful city of Tokyo a few weeks back. I suppose there won't be any more photos in here unless I'm dying for them to be put in here, otherwise I'll make it simple and just paste it in Facebook. If you're reading this and am not on Facebook and want to keep yourself updated on my usual nonsense, you know where to find me.
And I can't be bothered about the new changes to Facebook privacy settings really, much of the information about myself that I put online is intended for public consumption, so I'll leave it as such. Of course there is stuff in my life in which I would want to keep private, but I know better than to put them online in the first place (like duhhh...*slap forehead*)
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Hmmm so two weekends ago I finished the Standard Chartered Marathon in 4hrs and 50mins. Finally after being through four previous marathons, I can actually WALK properly after the whole thing. I remember that first one in 2006 - it was okay at first but the next two or three days were excruciating...I could barely even get up to go to the toilet... and then there was that stupid oversized pair of Adidas shoes I bought from KL that was comfortable to wear... but gave me really bad calf cramps two years in a row halfway through the marathon. But I must say some strength training for the legs will also help - I don't have a regular regime for that but for me it's just a combination of some Bodypump and overdose of Step and dance classes I guess. Oh of course you've got to run regularly... I'm quite happy to have developed enough strength in my legs such that they're not even sore after the usual 10km run....
Yeah I must say it's quite a torture that so many of us put ourselves through, but for those who do, all that 42.195km is just worth it. Especially really enduring that last 10km for me...all the way to the finish line, the part where every step we take seems to get slower and slower but the mind in particular is the one that tells us to keep going. Oh I had additional help of course, from the trusty Creative Zen, most probably I finished the marathon two weeks back while Dana Wilson's "Piece of Mind" for Wind Ensemble was blasting in my ears.
If I have a goal, it's to beat that freak timing of 4hrs 20mins I did for that first marathon in 2006, which I still have no idea how I managed to achieve... but nowadays I'd just be happy to complete the marathon and live to tell the tale. Here's to more marathons...
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With the freelance work that I do now, it leaves me with quite a bit of time to pursue what has become a hobby of sorts, an art, a practice, whatever you wish to see it as - arranging music for the symphonic band. I have been doing it for as long as I have been involved in bands - perhaps my first band arrangement that actually got performed in public was the Selamat Hari Raya song, something I did for NJC band way back in 1993 - for... morning assembly! I don't think the scores to that arrangement are around anymore... it was all painstakingly hand-written...
..but computer software changed all that. Yes I know it's a computer making the music... but that's where the study of orchestration helps - you need to know how each instrument is like.. its strengths...weaknesses... instrument range... playability... am still always learning new things everytime I'm in a new project. Best thing about computer software is... it gives me instant feedback... I would know if I had entered a wrong note or two just by clicking on the playback button. These past few years I've been churning out arrangements and arrangements and it doesn't look as if this factory is gonna stop production anytime soon.
Subject? Nowadays it does tend to depend on the possibility of the arrangement being performed - I just have had too many which are left sitting in the library cupboards because... some people don't like... or conductor don't like... or this..or that... or cannot program in concert cos not suitable...
sigh.
But I'm kinda in a different position now, so I'm a bit more happy about that. The symphonic band's versatility in presenting music is really under-rated, no thanks to the elitist and exclusivist tendencies of the orchestra (of which I am still a part of... dot dot dot)... quite easy to see that the orchestras in SG (even the professional ones) are not interested to venture into anything away than
classical music (unless forced to lah... like... Play! A Video Game Symphony). At least symphonic bands have a wider variety of repertoire to tap from.
And that's where I come in.
Obviously I would arrange something which I doubt already exists in a band version...unless I wanna do a different version of a song / piece...yah..have some instances. It is like making your own cover, but you have to do more than just deal with a voice and a guitar, and make sure that all 20 to 30 different parts of a symphonic band is covered.
There are different ideas on what a good arrangement is, but if I'm at the helm conducting it, my job is to produce the best possible performance of that arrangement (either mine or others actually). I know quite a bit of stuff I've done over the years could be improved further just by redoing it again... that is... if I'm not that lazy ;p But like I said... I'll rather move on to a new arrangement than rework something that might not even get performed in future. In arrangement also I kinda try to stick to my erm purist tendencies... preserving tempos (especially of pop songs!), voicing, but sometimes add in a bit of my own touches if I feel like it.
With this recent encounter with music from anime (and I don't mean those of Jo Hisaishi....) I am inspired and have quite a number of ideas! Of course, it all depends on whether I can get it performed in future.
Here comes the big but though. I realise that sometimes I just want things to go certain ways, and I do have my reasons - just as much as we would like to complain that certain composers make their music a bit unfriendly for the player, we should still try our best to fulfil the composer's intentions. So imagine what I would have felt if someone had asked me to modify one of my arrangements because he/she thought that part wasn't good enough or something. Like I said... I do have my reasons.
And then there's control. Or the lack of it. With the culture of borrowing scores all around bands in Singapore (heck...not only SG but everywhere else), and that evil machine we so adore...the photocopier, it is quite easy to lose track of where my work (although not for sale/commercial release) lands up in. I do feel a bit unsettled if I find out that my work has been performed somewhere else, without my prior permission. Of course I haven't gone into copyright issues yet...
So I guess it means that whatever I'll churn out in future will be for my own use only, be it as a conductor or a player. Funny how much I would like to play my own arrangements but end up conducting them instead. Maybe one of these days I'll take out the clarinet score to Final Fantasy Xtravaganza and practice it and see if I can actually play that thing properly...
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Hmmm... the wonders of anonymity. I have already have had my fair share from comments on my Youtube pages... so this latest one was some kind of erm... "direct attack" on a recent performance I participated in. As far as criticism is concerned, even the Straits Times correspondents do put their real names in print (well they have to cos it's their job), but whatever we got from this nobody (pun intended?) was really bordered on hate.
My thoughts?
In general, such people provoke you because they want and will expect a certain response from you (which is to retaliate). Sure...I'll go ahead and give them a response... a NO response. (See my hand? Talk to it instead.) I think I have other more important things to worry about.
More thoughts?
I don't see any music industry professionals (and I mean those established ones) going around commenting on their peers' performance. I'm sure Galway has stuff to say about Rampal's flute playing and vice versa but at least they don't make an issue about it to the public. One thing I notice about the kind of comments I get from my Youtube videos is that they do tend to be one-sided i.e. stuff that most probably their teachers tell them...i.e. don't do this..don't do that... you're doing this wrong... bla bla. Good teachers do not blind their students, but open their eyes and ears to the real world, and I'm glad to have had good teachers for the most part of my life.
I've been told by Kai Yi that only two people currently in SG have obtained the LRSM in flute performance (okay not counting those who studied flute performance overseas), one being Cheryl and the other is me. So if you wanna make comments on my lousy flute playing... go pass your LRSM first can? LTCL not counted... I heard that's easier.
:)